Conceived as an immersive threshold for the AFROBANANA Festival, “Mirage” is a temporary architectural installation that explores the interplay of geometry, reflection, and spatial perception. At its core is a hexagonal framework, meticulously crafted to heighten the phenomenological experience of traversing from an external environment into a realm of illusion. By cladding the interior surfaces with mirror-finish materials, the installation generates a kaleidoscopic continuum of reflected light and repeated forms, challenging conventional notions of enclosure and solidity.

From an architectural standpoint, “Mirage” manipulates the tectonic language of hexagonal modules to produce an ever-shifting spatial narrative. As visitors pass through, their reflections intermingle with the mirrored surfaces, distorting and multiplying their presence, thus blurring the boundary between observer and environment. This visual phenomenon evokes the transient nature of mirages—appearances that emerge from refracted light and disappear upon closer inspection.

Beyond its sculptural impact, the installation provokes questions about the role of perception, context, and user interaction in architectural design. The ephemeral quality of “Mirage” underscores the dynamic relationship between built form and human engagement: as participants move through the passage, the visual field shifts in real time, revealing new perspectives at every step. In this sense, “Mirage” functions not merely as an art piece but as a microcosm of how architecture can orchestrate sensory experiences and foster introspection.

Ultimately, “Mirage” stands as a testament to the potential of temporary structures to challenge spatial preconceptions. By synthesizing reflective surfaces, rigorous geometric composition, and an immersive procession, the installation exemplifies how architectural interventions can transcend the ordinary, transporting visitors into an otherworldly environment where reality and illusion converge.